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Summer 1997
Utopia
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UCLA's
profound "spirit of place" -- a quality missing in so much of contemporary
life -- grows out of thoughtful planning and careful development
By
Michael Webb
Gary Panter, illustrator
There
is a community of 60,000 in Southern California where crime and
racial intolerance are rare, and everyone is fully employed. It
governs itself, generates most of its own power, and has tamed the
automobile. Trees, lawns and shady paths cover as much ground as
the buildings, and a wealth of intellectual and physical stimulation
are within a short stroll of each other. This utopia is, of course,
the UCLA campus -- the Jeffersonian vision of an ideal garden city,
made real.
There
is a community of 60,000 in Southern California where crime and
racial intolerance are rare, and everyone is fully employed. It
governs itself, generates most of its own power, and has tamed the
automobile. Trees, lawns and shady paths cover as much ground as
the buildings, and a wealth of intellectual and physical stimulation
are within a short stroll of each other. This utopia is, of course,
the UCLA campus -- the Jeffersonian vision of an ideal garden city,
made real.
Oakley
and his staff are committed to strengthening UCLA's spirit of place,
by ensuring that all new buildings and additions relate to each
other, in scale and materials, and are treated as part of a larger
whole, rather than as stand-alone monuments. UCLA's "Bureau of Beauty,"
as Oakley and company like to think of themselves, has a concern
for harmony that extends even to campus bus shelters and parking
kiosks, which are designed in-house. The group studies, but does
not directly confront, awesome financial burdens and political entanglements
of municipalities; it can devote its resources instead to reflecting
on and refining the relationship between campus population, campus
buildings and campus landscape.
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